From Hoyt Curtin, to Henry Mancini, to John Barry and John Williams - all of these guys wrote fun swinging scores that nowadays tend to be used as parody more than anything else. Not so in the case of The Incredibles. Composer Michael Giacchino "Alias", Medal of Honor makes his feature film debut on a Pixar animated movie about a family of superheroes, and the mid-life crisis that the dad is going through.
Giacchino's approach involved creating a soundscape that pulls us back into the fun jazz orchestra method of scoring, without devolving into satire. Giacchino delivers a healthy dose of nostalgia, without being cheesy. From the opening cue, "The Glory Days", where we get brassy action and swinging rhythms, through to Mancini-inspired muzak of "Off to Work", the music takes us through various idioms and styles.
Of course, there are plenty of references and homage throughout the score. Whether it's the wailing brass and pounding timpani in "Saving Metroville" or the use of tremolo strings and vibraphone in "Lava in the Afternoon", everything feels familiar, yet new. Giacchino has done a solid job with the score, and it will help establish his place among some of the best composers working today. Search icon An illustration of a magnifying glass.
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